Fik Gaza Turns Down NRM Rally Stages, Issues Full Refunds, and Reflects on Loyalty and Legacy

Ugandan dancehall star Fik Gaza has announced a firm break from political performances. In a local TV interview, the artist said he will no longer appear at National Resistance Movement (NRM) rallies. He is refunding all deposits made by promoters. The decision follows his earlier shift from opposition to NRM support. Now, he draws a clear line against political stage appearances.

Fik Gaza & his team visited NUP’s Bobi Wine (Photo: Courtesy)

Speaking candidly about the pressures faced by artists from Uganda’s urban ghettos, Fik Gaza painted a vivid picture of how politicians exploit young talents. “They come to the ghetto with sweet words,” he explained, describing how influential figures approach rising stars with offers of exposure and quick cash. “You sit at the table, negotiate, and I make it clear from the start—I don’t like you, I don’t support your cause, but if the money is right, I’ll perform.”

Yet beneath the transactional nature of such deals lies a deeper frustration, the realization that these engagements are rarely about mutual respect. Instead, they are calculated moves to harness the energy and influence of ghetto youth for electoral gain. “They identify who controls the streets,” Fik Gaza continued, “use that person to rally the crowd, and once the votes are counted, you’re forgotten.”

This pattern of use-and-discard, he insists, has pushed him to take a stand. Days ago, he made the refund promise public on social media, and in the interview, he doubled down. “Anyone who paid a deposit for a rally performance, come get your money back,” he stated firmly. “I will not step on a political stage again. My voice belongs to the music, not to campaigns.” The move has been praised by fans as a rare act of principle in an industry often criticized for selling out, especially as Uganda approaches local elections where artist endorsements remain a powerful currency.

Fik Gaza & the Ghetto Youths at a National Resistance Movement (NRM) Rally

Fik Gaza’s resolve is deeply rooted in the legacy of the late Mowzey Radio, the iconic singer whose straightforward demeanor continues to inspire a generation of Ugandan musicians. “I loved how Radio handled business,” Fik Gaza said with visible admiration. “If he didn’t vibe with you, he wouldn’t pretend. He’d look you in the eye and say, ‘I’m here for the money, nothing personal, nothing more.”

For Fik Gaza, this unapologetic honesty is more than style, it’s survival. In a world where artists are pressured to feign loyalty for access and gigs, Radio’s example offers a blueprint for maintaining dignity while still securing the bag. “That’s how I move now,” he affirmed. “No fake alliances. Just real work.”

The interview also turned personal as Fik Gaza expressed profound gratitude toward singer Pallaso, whom he affectionately calls “Uncle P.” He credited the veteran artist with playing a pivotal role in his career, particularly through consistent promotion and mentorship. “Pallaso supported me when few others did,” he shared. “He launched at least ten music challenges for my latest song, pushing it across platforms and giving it life.”

Beyond digital boosts, Pallaso’s influence extended to life-changing opportunities. Fik Gaza revealed that his high-profile trip to Saudi Arabia for a major performance was made possible because of Pallaso. “I boarded that plane because of him,” he said. Yet the relationship hasn’t always been smooth. Fik Gaza took the moment to issue a public apology for past misunderstandings.

“Where I wronged Uncle P, I am truly sorry,” he said earnestly. “We’ve had our moments, ego, miscommunication, but he’s family. And family deserves accountability.” The gesture underscores a maturing artist who values long-term bonds over temporary conflicts, especially in an industry where rivalries often overshadow collaboration.

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One of the most intriguing parts of the conversation centered on Fik Gaza’s attempt to mediate peace between two of Uganda’s most polarizing music figures: Pallaso, the self-styled King of the East, and Alien Skin, the leader of the Fangone Forest Camp. The two have been locked in a public feud marked by diss tracks, social media clashes, and even allegations of supernatural interference.

As someone close to both, Fik Gaza saw himself as a natural bridge. “I tried to bring them together,” he recalled. “We sat, we talked, but pride got in the way—one side came in too big-headed to listen.” What began as a potential reconciliation quickly unraveled when darker accusations surfaced. “Then the talk of witchcraft started,” he said, shaking his head. “Spells, curses, juju—it went from music beef to something spiritual. That’s when I knew it was beyond fixing.”